Kiosk.net

Kodak will install more than 2,000 self-service photo-processing kiosks in Wal-Mart stores under a three-year deal between the two companies. The kiosks will allow customers to view , edit and order prints of their digital photos.

I guess that means HP’s attempt to woo Wal-Mart failed.

The Wall Street Journal reports that Wal-Mart

has found use of kiosks, which shutterbugs often use to print just a few shots at a time, has been rising faster than the use of its one-hour mini-labs. Wal-Mart said it has recently raised the price of prints from one-hour service to 22 cents apiece from 19 cents. That narrowed the price gap with instant prints from kiosks, which cost 28 cents apiece.

The way satellite radio companies count subscribers has been a topic of discussion for some time, so it’s not entirely surprising that that the SEC is looking into Satellite XM’s numbers:

XM Satellite Radio Holdings Inc. (XMSR) disclosed in a regulatory filing Tuesday that the Securities and Exchange Commission is looking into the company’s handling of its estimates of subscriber counts as well as the cost of recruiting customers.
The Washington-based company said it received a letter from the SEC on Aug. 31 asking for documents regarding its subscriber targets and related matters for the third and fourth quarters of last year.

TELeasy has announced the release of its latest DVD rental kiosk, the Mini Quik Flik, a modular system that takes less than square feet of of floor space and can store up to 300 DVD discs. The kiosk accepts credit card payments for rentals and purchases, and it also allows rental customers to return the DVD to the kiosk.

The Mini Quick Flik is meant for “smaller locations like gas-stations where space is limited” and will be sold “to many vending machine operators that simply could not justify” TELeasy’s standard Quik Flik DVD vending kiosk.

More product details as well as an unsatisfactory software demonstration can be found at TELeasy’s web site.

TELeasy Mini Quik Flik press release.

According to recent reports, Toshiba is planning to release two HD-DVD players in Europe that are expected to retail in the ballpark of 599 to 999 euros ($768-$1,280). Toshiba says that the dramatic price increase (one can find a Toshiba HD-DVD player in America for as low as $499) is due to the fact that these players are slimmer and have more features than do ones released to the American market last spring.

This is the most recent move in the fight to the death between the HD-DVD (cheaper) and Blu-Ray (more storage capacity) formats, as manufacturers are obviously not listening to Netflix CEO Reed Hastings’ pleas for format agnosticism. In the first six weeks after the release of the respective technologies, HD-DVD had a 33% sales advantage over Blu-Ray players (which were released by Samsung and will be released by Sony in October–see here), but the sales of both technologies have disappointed.

[Via Reuters]

Apple recently announced that it will be holding a special press event on September 12th, leading many to speculate that the meeting will be a long-anticipated product launch. Number one on the wish-list for Apple enthusiasts is the the announcement of an iTunes-fueled movie downloading service, which has been rumored about for months. If this service is finally made official, we should also expect the announced release of new iPods with better video capabilities.

Wal-Mart, of course, is not happy about this impending service from Apple, as it will not only assuredly cut into their DVD sales, but will also affect their plan to offer their own movie downloading service in the near future. The recent kicker is that Apple is expected to offer downloads for less money than the wholesale price Wal-mart has to pay studios for the rights to sell DVDs in-store.

In an attempt to flex its retail muscle, Wal-mart (which accounts for roughly 40% of national DVD sales) is pushing studios to drop wholesale prices and is trying to discourage them from forming licensing agreements with Apple by threatening to not sell certain titles.

It should be interesting to see how this plays out. (Actually, scratch that. Screw Wal-mart. I hope they get smoked on this.)

Thanks to JK on the Run.

British director Gabriel Range has made a documentary-style drama entitled “Death of a President,” which explores the consequences of the fictional assassination of President George W. Bush. While the film’s announced premise has already generated controversy, the buzz has been increased by the fact Range doctors real footage of Bush with CGI in order to realistically portray the assassination.

The film’s first screening with be at the 31st Toronto Film Festival, held next week. In response to charges that the film aims only at sensationalism, festival director Noah Cowan has commented: “Range simply seeks to explore the potential consequences that might follow from the president’s policies and actions.”

Click here for the festival website and schedule and here for the story at CTV.ca.

A recent article in USA Today by Gloria Goodale of the Christian Science Monitor uses Netflix’s screening of Clint Eastwood’s “Escape from Alcatraz” at the long-defunct island prison as a starting point for a discussion of how Netflix has changed consumer behavior. The article goes on to discuss, however, how Netflix will soon be facing challenges from newer distribution models like video downloading.

Branding expert Morris Reid accounts for the recent dip in Netflix stock (which was the result of the company’s failure to meet analysts’ predictions for the last quarter) by pointing out that “the biggest challenge for Netflix is distraction” from its primary role as a content-delivery firm. Sponsoring film festivals or concerts is better suited for the Netflix brand, and while the Roadshow stops may have been unique, they are a “waste of time and money.”

These sentiments are mainly in agreement with those expressed several weeks ago by Kiosk.net contributor Megamark, who makes the further point that dragging people out of the house may ultimately be contrary to Netflix’s mission. I agree with this when in comes to popular classics, all of which were seen in droves by theater-goers, but when it comes to sponsoring things like indie film festivals (as suggested by Reid), Netflix would be well served to simply have its name connected with that of Sundance, etc. After all, these sorts of films are simply not available to most viewers in a theatre-setting, thereby making Netflix the only option.

In any case, this seems to be Netflix’s strategy, as it has actively sought to become the go-to content provider for the indie movie biz.

Peter Jackson has just announced that he will be producing a remake of the British war film “Dam Busters.” The film chronicles the development and use of bouncing bombs to blow up German dams WWII. The original film, which Jackson admired as a boy (the original was released almost a decade before he was born, in 1954), suffered from the fact that much of the information about the actual military project had still been classified by the Royal Air Force. This is not the case anymore, which should mean that Jackson’s version will certainly be an improvement in terms of historical authenticity.

Jackson had looked into doing this project a decade ago but was surprised to find out that the rights to the film had already been purchased by Mel Gibson, who planned to direct and star in a remake. This remake, of course, never happened, given Jackson the opportunity to bring on Christian Rivers, the animation director of King Kong, to direct the sure-to-be blockbuster.

As much as I’d like to see Peter Jackson give us an entirely original generation-defining epic, the likes of which we could expect from a young Speilberg or Lucas (emphasis on ‘young’ in both cases), the quality of both LOTR and King Kong have to make you excited about anything Jackson’s name is attached to. It seems, however, that Jackson’s taste for films that aren’t remakes or adaptations of classic novels or video games is limited to smaller projects like “Heavenly Creatures” and “The Lovely Bones” (or camp-horror–like his earlier films).

[Via Playfuls.com]